By Michael Mishra
Adopting a two-books-in-one layout. The Shostakovich Companion combines a full-length, single-author exam of the existence and compositional evolution of the Soviet Union's most renowned composer; and a symposium within which a number of analytical strategies is utilized to chose Shostakovich works and genres. this is often the 1st complete English-language e-book in twenty-five years within which the first emphasis is on musical concerns, and the secondary emphasis is at the biographical and much-debated political issues.
The The Shostakovich Companion is split into 4 components. half I considers the hermeneutic suggestions which have been utilized to Shostakovich's song, in addition to a few of the controversies surrounding his lifestyles and his courting to Soviet politics. half II contains the book's significant life-and-works dialogue, uniting a accomplished exam of Shostakovich's compositional evolution with a whole account of his lifestyles. Coming from numerous authors, the chapters partially III exhibit a cross-section of analytical strategies that can usefully be delivered to undergo upon Shostakovich's song. those diversity from literary and cinematically-based easy methods to the extra conventional different types of musical research. half IV considers 3 autonomous yet an important points of Shostakovich's existence: his contributions to the Soviet movie undefined, his occupation as a pianist, and his legacy and impact as a teacher.
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Additional info for A Shostakovich Companion
E floor 97 . . . . " Certainly, Shostakovich loved to satirize his foes. Marina Sabinina, for example, recalls him in 1 9 5 0 sitting in the Conservatory from which he had been dismissed two years previously. "98 And the deflation of bureaucratic self-importance through musical parody would form the very essence of works like The Nose or Rayok. Yet, it is one thing to iden tify an essential characteristic of Shostakovich's musical persona, quite another to use it as a yardstick, the filter through which all works are analyzed and evaluated.
CHAPTER 2 ON SHOSTAKOVICH Personal Character He never tried to seek revenge from anyone for what they had said about him and, in my view, this was the most appropriate behaviour, because the impact this had on people was much stronger than if he had taken some kind of action against them. 1 (Irina Shostakovich, composer's third wife) I advise you to envy Mozart; Beethoven and Tchaikovsky. 2 (Shostakovich to composer Edison Denisov) I � astonished by Shostakovich's remarkable forbearance, as he listened to the remarks directed at him.
There wasn't even a paltry dedication. 40 In fact, the aborted "heroic" Ninth Symphony was not the first instance of a large-scale patriotic work promised by Shostakovich failing to materialize. In the 10 A Shostakovich Companion late 1 930s, for example, he had announced plans for a monumental song-sym phony based on Mayakovsky's iconic poem, Vladimir Ilyich Lenin. Testimony explained: This is a special form of self-defense in the Soviet Union. You say that you are plan ning such-and-such a composition, something with a powerful killing title.
A Shostakovich Companion by Michael Mishra